If you have what you think is a smoothasfuck line or routine to try on girls you hit on, first practice it by saying it aloud to yourself. Not kidding. Every idea we have sounds better in our heads than it usually does IRL. It may seem gay to you chadwicks, but speaking aloud a thought in private is excellent practice for refining one’s Game. When you hear (and see) yourself as others hear and see you, the biofeedback loop between your mind and body is exposed to tinkering, and by making slight adjustments in your voice and body language you will coax adjustments in your mental state and self-conception. You’ve just rejiggered your biofeedback mind-body axis into a positively reinforced SMV signal boost.
Steve Keaton adds,
Record it and play it back.
Less is more, and think of the words as being a carrier signal for the real communication: Your face, your voice, your body language.
Self-recording is also a good idea. Everyone is a little shocked when they first hear a playback of their own voices (we all think in our heads that we sound like a Hollywoodian Zeus or Aphrodite). A man can work on his tone and delivery speed this way, training himself to sound sexier to women. Generally, you want a lower pitch, slower delivery, and fewer words. Almost all beta males in their natural conversational style speak at too high a pitch, too fast, and too loquaciously.
If you want a good rule of thumb governing vocal delivery, shorter is sweeter. Anything you say to a girl will come across sexier and manlier if you can say it with fewer words. Exegeses are never sexy. Quips are sexy.
Quips and teases and taunts are the meat and potatoes of the beginning of a seduction, which is when attraction is created. Storytelling and value sharing — the longer-winded stuff — comes later, during the comfort stage.
There is a notable exception to this rule: storytelling (and embedded DHVs). If you have a nimble tongue, you can pull a lot of ass by flaunting your talent. But even a silver-tongued devil can bore a woman in an ocean of voluble smoothtalk. The best approach is a balanced diet of jerkboy quips sprinkled with intimate sit-close-togethers sharing deepest dankest thoughts.

I’ve done this. Good way to learn whether you sound authentic.
I’ve found that by practicing the line, routine i internalize it and it sounds real.
Learning game is in many ways like learning a new language. At first your pronunciation and tonality is awkward and strange. It gets smoother the more you converse with women.
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The day I learned that being laconic is an asset was a very good one.
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[…] Your Daily Game: Hacking Your Biofeedback Loop […]
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Fewer words is the part I’m working on now. Is great when you get it. Girls love the mystery after all, and what’s more mysterious than leaving her to wonder?
It’s like back before christmas break… was chatting with a girl “so, are you getting a new car for christmas?”
her: haha no
her: have you been asking everyone that?
me: nope, just you
*quick transition to new topic*
and it makes for great fodder in the future “I see you’re still in that clunker” (no matter how new the car) ha
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Careful boys…
Mod filter is on the attack today.
With my luck, this’ll make it through.
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Hi mom
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Did you finish your homework?
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I even studied a broad
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Generally, you want a lower pitch, slower delivery, and fewer words.
Gold.
For a lot of guys when they get stressed, their vocal pitch goes up and they start sounding like they’re on helium or estrogen. Stress is the signal to slooooow dowwwwn yourrr speeeech, not speadituplikeachipmunk.
Almost all beta males in their natural conversational style speak at too high a pitch, too fast, and too loquaciously.
Dancing monkey beta.The girls then hear about one word in three and that one is mumbled. She’s all “what? What did he say?” then losing interest.
Just set your phone to video record, put it on a ledge and talk to it. Then play it back, nobody else has to see it.
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Mildly OT: I was watching The Birds over the weekend and caught note of the way Mitch was giving Melanie (Tippi Hedren) a hard time:
First, when he sees her at the bird store and yanks her chain with wanting to buy some birds.
Second, when she drives up there to play a joke back on him, but a bird attacks her and he questions why she there. He knows all of her answers are BS and in one exchange causes her to slip up.
Finally, after she has dinner with the family and he brings up what she had done in Rome, saying they should hang out together and go swimming. She’s on the defense the whole time and he’s grinning from ear to ear.
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I’ve never been a big movie person… but I’m starting to see why people give me a hard time for missing out on these classics.
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Check out the archives for posts about red pill/game in the movies. Those are worth checking out first.
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The important thing to remember with tv and movies is that the blocking and staging – who is sitting and who is standing and how, posture etc, who is holding and controlling an object, who is driving, who is taking the lead, who is in front and who is behind – all of that stuff is enormously more important to our limbic minds than what they are saying.
If you compare how men and women are blocked and posed in scenes today and how they were blocked in old movies it is very obvious.
This is a large reason why modern movies are unwatchable. A woman who swaggers in the presence of men? Repulsive.
A nigger who stands too close or who stands over a white man so the white man has to look up at him? Should be lynched.
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[…] Source: Heartiste […]
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CH, do you have a list of good movies…. last one you recommended, Blue Valentine, left me devastated
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So the ultimate goal is a sort of variation of that scene in The Wire where they communicate solely in “fuck” and variations there of?
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It is called rehearsing.
A big thing on pitch is that you don’t want to come up at the end. Doing that weakens your line/delivery. It is a very common thing to do among amateur theater actors.
You also don’t want to be obviously adding bass either. If your pitch is overall a little high that isn’t as bad as going higher at the end even if you have a naturally deep tone. That’s a bad thing when talking to anyone.
It is one thing to be nervous. It is quite another to come up at the end and then be weak and not confident.
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you know when the talk is getting interesting the moment she is saying more words than you
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Reminiscent of the greatest man who ever lived practicing his poses and facial expressions before giving the speeches that helped Germany throw off the shackles of YKW. Historical precedent and evidence that this does, in fact, work.
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Pretense is like pouring ice on poon tang. Confidence goes farther than practicing lines on a tape recorder. Do you want to be an actor do you?
Trying too hard is Beta Boy all the time. DO NOT CHASE PUSSY.
You chase and they run. You guys who go straight to the poon are ruining it for us all. Its like fishing. You don’t scare the fish and get rave reviews. You piss off the other guys by chasing the poon away. You can listen to these professional con men that tell you to feed lines to everyone and play the law of averages, but that’s lame.
Women want status. Cool cannot be faked. The guy that gets the best is the one who plays it cool. Women will let you know if they’re interested. Romance is the gawd of womens’ tingles. When she gives you “the look” and you sweep her off her feet, its the stuff that makes her teeth sweat, lick her lips like she’s hungry and wets the tunnel for many great times.
DO NOT SCARE THEM OFF BY CHASING THEM. WAIT FOR “THE LOOK”.
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